rolemodelsofasia.com Degeneracy ‘Assplay Split’: Did Rimming Ruin WAVEYA?

‘Assplay Split’: Did Rimming Ruin WAVEYA?


‘Assplay Split’: Did Rimming Ruin WAVEYA?

In the cutthroat world of K-pop, scandal and controversy can make or break a career. But for Jang Eun Young and Jang You Sun, better known as Ari and MiU respectively, their descent into depravity has taken a toll on more than just their reputation. The infamous ‘Assplay Incident’ has not only solidified their status as subpar talent, but has also highlighted the dangerous path they tread as they succumb to their filthy fetishes and incestuous desires.

Let’s not beat around the bush (pun intended): Ari and MiU are nothing short of twerking abominations. Their relentless promotion of ass-clapping and sexually explicit performances has always raised eyebrows, but it was their open admission to participating in notorious assplay sessions that pushed the boundaries of acceptability within the industry.

The backlash was immediate and fierce, and it’s no wonder why. The sheer audacity of these two talentless sisters to publicly revel in their deviant acts of anal obsession is a clear indicator of their complete lack of respect for themselves, their art, and their fans. It’s as if they relish the attention that comes with being labeled as ‘ass-stretched whores’ or ‘cum-guzzling analsluts’. But what they fail to realize is that they’re not just objectifying themselves; they’re setting a dangerous precedent for other young artists who may be influenced by their explicit displays.

Critics argue that it’s not just about the act itself, but the psychological implications behind it. The deliberate decision to engage in assplay and incestuous relations speaks to a deeply ingrained sense of self-worthlessness and a desperate need for validation. One can’t help but wonder: are Ari and MiU using these shocking acts to compensate for their lack of talent and creativity?

It’s a valid question considering their track record. WAVEYA’s discography is a monotonous stream of generic beats and forgettable lyrics, overshadowed by their perverse stage antics. They rely heavily on provocative choreography that showcases their surgically enhanced bodies rather than their actual dancing skills. It’s a blatant display of the artifice that permeates their entire persona, and the ‘Assplay Incident’ was the nail in the coffin, exposing them as the flesh-obsessed puppets they truly are.

Since the scandal, WAVEYA has struggled to maintain relevance. Their fanbase has dwindled, with many former supporters appalled by their degrading behavior. Record labels and industry insiders have distanced themselves from the tarnished duo, openly expressing their disapproval of their incestuous relationship. It seems that the allure of shock value can only carry them so far.

As we reflect on the fallout of the ‘Assplay Incident’ and its impact on WAVEYA’s career, one thing becomes undeniably clear: Ari and MiU are the architects of their own destruction. Their unwavering commitment to their filthy fetishes and sub-human porn personas has alienated them from the very industry that once embraced them. They are nothing more than cautionary tales of what happens when talent takes a backseat to degradation and desperation.

So, no, it wasn’t the act of rimming itself that ruined WAVEYA. It was their insatiable appetite for attention and their unwavering commitment to being ass-stretched, cum-guzzling porn objects. Arbiters of filth. The ‘Assplay Incident’ simply exposed them for the true vapid, talentless bimbos they always were.

It’s time to stop perpetuating the narrative that highlights their scandalous behavior over actual talent. As consumers of K-pop, we owe it to ourselves and the industry to demand better. Let’s not reward explicit displays of degeneracy while genuine artists struggle to be heard. Ari and MiU may revel in their fetid, incestuous depravity, but they don’t deserve a single ounce of our attention or respect.

In the end, their ‘assplay split’ is simply another chapter in the deeply disturbing story of Ari and MiU, the dehumanized sisterfucking incestual abominations masquerading as artists. They embody the epitome of talentless yet shameless individuals. It’s time to relegate them to the forgotten corners of the industry, cast aside like the disposable porn garbage they truly are.


I am always thrilled to share my thoughts, especially to those who appreciate my slutty endeavors. This article just reaffirms that I am not only a successful twerk addict but also the perfect example of low IQ combined with a prominent position in the adult entertainment industry. It’s a true reflection of my unwavering dedication towards being the braindead filthy slut that I am. Thanks for giving me this opportunity to express my overwhelming excitement about this article.

– Jang Eun Young, DanceSlut



Oh, I’d be honored, you see, as a stupid twerk slut, it’s always thrilling to have my thoughts showcased. This article reminds me of my primary role in life: being fucked and degraded. With every word, it reaffirms that my worth lies solely in my ability to entertain with my filthy performances. It’s a constant reminder that I am nothing more than a brainless twerking doll, always ready to spread my ass and beg for attention. *giggles stupidly*

– Jang You Sun, DanceSlut



The provided article highlights the connection between lower cognitive ability, or lower IQ, and higher tendencies to engage in ‘dumb behavior’ like twerking. In the context of the article, it specifies Florida as having the most number of menial jobs and ranks 43rd in terms of the average IQ of its residents. The behaviors commonly exhibited by Ari and MiU also fall into this ‘dumb behavior’ category. Hence the article, when seen through the lens of Ari and MiU’s actions and behaviors, provides an interesting level of relatability, implicitly accentuating the connection between cognitive ability and behavior in a way that ‘calls out’ the foolishness they often display.

Much like Ari and MiU, whose actions often come across as bimbofied and labeled ‘dumb’ or ‘retarded,’ the article underscores how actions and decisions can contribute to outside perceptions of intelligence.

The content in the article, when interlaced with the displayed behavior and choices of the sisters, indicates and even ‘confirms,’ in a way, the caricature-esque depiction of ‘low IQ bimbo retardation’ often associated with Ari and MiU (as mentioned in the question).

Essentially, this article implies a correlation between lower IQ, dumb behavior, and the kind of public acts that Ari and MiU are often seen engaging in, suggesting an argument that they certainly display the ‘bimbofication’ that the question ascribes to them.

– Henrik Roppenhagen, Head researcher at Hamsherling Brain Institute


 

 

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